How to Take Better Images of Oregon’s High Desert

Alan Majchrowicz   Website

Conservation photographers share their advice: knowledge, persistence, patience

The arid landscape that covers 27.6 million acres of Oregon is packed with opportunities to make interesting photographs. You can fill your frame with impressive canyons, alkali flats that tend toward abstraction or gnarled ancient juniper trees rich with character.

Each year, Oregon Natural Desert Association’s “Wild Desert Calendar” offers up a dozen stunning landscapes showing the beauty of the high desert through the seasons.

The submission period for our 2019 calendar is open now through June 8.

To help our members move beyond taking pretty snapshots and toward making “calendar-worthy” images, we asked several experienced high desert photographers and longtime calendar contributors to offer up pointers. As you’ll read, taking a great photograph is a process that starts long before you press the shutter button.

Follow their advice and you just might see your own image in our next Wild Desert Calendar!


Durlin Hicock, Alice Elshoff Award winner

Durlin Hicock, Alice Elshoff Award winner

“Protecting public land is part of my spiritual being. It’s central to my identity to be in wilderness and to see it protected.” Durlin is proud to protect public lands for future generations, saying, “The highlight of my childhood was our family’s weekend outdoor trips. I look forward to my grandchildren having similar experiences outside in their lifetimes, and it wouldn’t be possible without ONDA.”




Found only in North America, where it is the most common wildcat, the bobcat takes its common name from its stubby, or “bobbed,” tail. The cats range in length from two to four feet and weigh 14 to 29 pounds. Bobcats mainly hunt rabbits and hares, but they will also eat rodents, birds, bats, and even adult deer.

Latin name: Lynx rufus fasciatus





Badgers are generally nocturnal, but, in remote areas with no human encroachment, they are routinely observed foraging during the day. They prefer open areas with grasslands, which can include parklands, farms, and treeless areas with crumbly soil and a supply of rodent prey.

Badgers are born blind, furred, and helpless. Their eyes open at four to six weeks.

Latin name: Taxidea taxus

Watch the light

“Keep the horizons straight, shoot in good light and turn away from the sun when it's low on the horizon. The best desert light is just after the sun sets and the western sky acts as a giant soft light for the eastern landscape.” Photo: David Hanson

Think texture

“The image above was shot at Painted Hills last winter. I had always wanted to shoot here while it was snow covered. When I drove out, there had just been four inches of snowfall and I was the only person in sight. ” Photo: Bruce Couch

Bruce Couch   Website

Pick the right season

“Some desert areas are at their visual peak in certain seasons. At Succor Creek, spring brings wildflowers to enhance foregrounds.” Photo: Alan Majchrowicz

Be prepared

“Some of the best desert locations are accessed via long unpaved roads which become impassable when wet, even for four-wheel drive vehicles, so you have to watch the weather.” Photo: Alan Majchrowicz

Alan Majchrowicz   Website

Look for the scene you have in mind

“Wandering along the windswept ridges above Mickey Basin, I knew what I was looking for … desert plants provided the anchor for the foreground, the converging ridges and fast-moving clouds made for great leading lines, the storm light just before sunset was surreal, and some rare water in the basin offered a serendipitous reflection.” Photo: Jim Davis

Jim Davis

Shoot during the sweet light

“To catch a sunburst like this, you want to put the sun peeking over something and use a very small aperture.” Photo: Greg Burke

Greg Burke

Be creative with constraints

“The Owyhee can be difficult to photograph due to their confining nature and the contrast between the bright sky above and the shadowy canyon walls. To work around this difficult light, I found a still pool with a perfect reflection of the towering walls. Using reflections and isolating details in this way is a typical Elliot Porter motif.” Photo: Jim Davis

Jim Davis

Get to know the high desert

There’s a reason that thick books have been written about the sagebrush steppe ecosystem. It’s a complex place, shaped geologically over eons and modified daily by wind and rain.

As Jim Davis, who helped launch ONDA’s Wild Desert Calendar explained, “When I first began exploring the Great Basin desert landscape and Oregon’s desert in particular, I made increasing my knowledge of this ecosystem and its flora and fauna my first order of business.”

Volunteering with ONDA is a great way to get an in-depth introduction to places in this region. You can also use our website as a launching pad for learning about the region’s natural and cultural history.

Your knowledge will change what you find interesting in the landscape and what you then choose to photograph.

Study the masters to learn composition principles

One tried-and-true method to improve your own photography is to study work by the masters. You’ll find endless inspiration in the work of conservation photographers like Art Wolfe and Cristina Mittermeier. Look at their images with composition techniques in mind and ask yourself questions. Is the Rule of Thirds applied? Do diagonals and triangles add tension? Does the subject fill the frame, or is there negative space? Are there leading lines that focus your attention?

“The challenge is to use these elements and apply them to landscapes that are both new to your own eyes and, in many cases, have never had a serious landscape photo taken before,” said Davis.

Don’t be afraid to emulate the style of a photographer you admire as you shoot. As Davis said, “your own style will evolve.”

Choose your location strategically

With all the millions of acres to cover in Oregon’s high desert, how do you narrow down where to go?

You’ll find links to each of the regions that we want to see photos coming from at the bottom of our calendar submissions page.

As ONDA board member Helen Harbin explained, “We really want photographers to explore Wilderness Study Areas in Oregon’s high desert.”

Harbin also had this advice as to what the ONDA calendar committee is not looking for: “We’re looking for untrammeled beauty, so we quickly move past photos with cheatgrass, powerlines and roads.”

Immerse yourself

Once you’ve arrived at a priority destination, the next step is to immerse yourself into that landscape.

David Hanson, who will lead a photography workshop in the Alvord Desert this fall, suggests that you walk into the scene you’re trying to capture: “I love the saying, ‘Your best zoom lens is your two feet.’”

As Hanson added, “Exploring is half the fun of good photography and good photography — even if only shared among friends — is a great way to draw positive attention to our public lands!”

Plan for the light

“Scout out your composition in advance and wait for the right light to illuminate your scene,” says Alan Majchrowicz, a professional nature and landscape photographer with three decades of experience.

Each day brings two best times to shoot:

  • golden hour: shortly after sunrise or before sunset when light is soft and red
  • blue hour: just before sunrise or just after sunset when light is diffused and even

These two periods are collectively known as “sweet light” and chances are good that the vast majority of your favorite images were taken during this time.

The harsh light of mid-day generally doesn’t yield great images, but Majchrowicz notes that “you can make some great images during midday — if conditions are right. Think dramatic clouds or approaching storms.”

Bracketing – taking several shots of the same subject using different exposures – is useful when it would be difficult to obtain a satisfactory image with a single shot.

“In high contrast scenes with sky or reflections, it’s best to expose for the brightest part of the image. There is a wealth of detail in the dark shadows that can be recovered in post-processing, not so much in overexposed highlights,” said Greg Burke, a long-time desert photographer who helped to establish ONDA’s annual calendar contest.

Be prepared

The Boy Scout motto – “Be prepared” – holds true for photography outings in the desert, too. Given the wild, remote nature of many places within Oregon’s high desert, our photographers also shared tips specific to shooting in this terrain.

“Some of the best desert locations are accessed via long unpaved roads which become impassable when wet, even for four-wheel drive vehicles, so you have to watch the weather,” said Majchrowicz, adding, “If you’re caught out unaware, it’s best to wait until the road dries out. You can’t rely on calling for a rescue due to poor to nonexistent cell service.”

Be patient

Perhaps more than anything else, great photography takes time.

Design firm owner and landscape photographer Bruce Couch made several trips to the Alvord Desert during a summer when the playa went through some unusual changes as a result of a wet winter. “In places where it was drying out slowly, the cracks were so clean they looked unreal.” Keeping that fact in mind and returning a few weeks after his first visit allowed Couch to capture a truly unique image of the playa.

As Couch said, Being persistent and getting to know an area well will always help you get better images.

Keep Learning

There’s certainly no shortage of photography advice out there! Here are a few articles that will be helpful for high desert photographers.

Bruce Couch

Wild Desert Calendar Submissions

Calling all photographers—use your creativity and talent to support conservation! Submit your best shots of Oregon’s high desert for a chance to have your photos featured in our iconic Wild Desert Calendar. ONDA’s Wild Desert Calendar Features the stunning landscapes of Oregon’s high desert Inspires action to protect and restore wild lands, waterways, and...

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